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Geoffrey Cox

Geoffrey Cox, new film work & Portrait at GEMdays

Saturday, February 6th, 2010

Geoffrey Cox and filmmaker Keith Marley presented a new documentary film, ‘a part of a greater whole: a film about Nice’(2010), at the Documentary Now! conference at Burbeck College, London on 15th January 2010. The film is in part a homage to the City Symphonist filmmakers of the 1920s and especially Jean Vigo’s, ‘A Propos de Nice’ and Dziga Vertov’s, ‘Man with a Movie Camera’. It explores the importance and creative treatment of diegetic sound as well as the use of real-time video and audio software to manipulate the filmic materials. It is a prototype of a planned longer version.

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As part of the University of Huddersfield’s GEMdays Festival of electronic and mixed media music, Geoffrey Cox had a Portrait concert on 27th January 2010. The works featured covered the last 10 years and comprised fixed media ‘tape’ pieces: ‘Foggy Road 2000′ and ‘I’m Not Elvis’; multimedia works made in collaboration with documentary filmmaker Keith Marley, ‘Introducing: wc lowry’, ‘Cider Makers’ and ‘a part of a greater whole: a film about Nice’, and the premiere of ‘No Escape’ (2009), a 25 minute piece for live pianist (Philip Thomas) and film.

Recent conference presentations

Friday, October 2nd, 2009

Conferences
Geoffrey Cox and Keith Marley, ‘Performing Documentary’ paper and film showing at MeCCSA Conference, National Media Museum, University of Bradford, 16 January 2009. A new film was shown, ‘San Remo Mercato Dei Fiori’, which used live improvised audio and image editing in its creation. 

Geoffrey Cox, ‘The Promise of the Past: Quotation in the music of the late 1960s avant-garde – nostalgic cannibalism or musical renewal?’, Nothing New? Understanding Newness in Medieval and Contemporary Music, Plainsong and Medieval Music Society, CeReNeM, Royal Musical Association, University of Huddersfield 25 April 2009.

Guest Lecture / Film Showing
‘Looking and Listening’: Geoff Cox discusses his work as a composer with the moving image. His work with short films, especially with Keith Marley, includes the manipulation of sound in parallel with the moving image. The talk will give an insight into the process of creating in a form which is a combination of different media and the relation of  these films in to film documentary as a genre; Liverpool Hope University research seminar series, 22 November 2009. 

An hour’s worth of our films - ‘You Are Not I’, ‘3 Rhythmic Etudes’, ‘Cider Makers’ and the premier of the non-live version of ‘No Escape’ will be shown after the talk at the Cornerstone Festival.