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News

Liza Lim appointed to International Summer Schools

Thursday, March 18th, 2010

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Prof Liza Lim recently served as a member of the jury of the Incontri Internazionali Franco Donatoni. The competition is run by the Divertimento Ensemble in Milan and offers major commission and residency opportunities for young composers.

She has been appointed to the faculty of two key European Summer Schools in 2010. Firstly, the Darmstadt International Summer Course in Music  (July 17-31), which has been a crucible for artistic exchange in Europe since 1946 and where she last taught in 1998. She is also an instructor together with Prof Brian Ferneyhough (Stanford University) and Francesco Filidei for the Composition Courses of Fondation Royaumont which are held in late August/September at the 13th century Cistercian Royaumont Abbey in France.

Julie Wilson-Bokowiec & Mark Bokowiec - New Publication

Tuesday, February 16th, 2010

intermedialites

Geoffrey Cox, new film work & Portrait at GEMdays

Saturday, February 6th, 2010

Geoffrey Cox and filmmaker Keith Marley presented a new documentary film, ‘a part of a greater whole: a film about Nice’(2010), at the Documentary Now! conference at Burbeck College, London on 15th January 2010. The film is in part a homage to the City Symphonist filmmakers of the 1920s and especially Jean Vigo’s, ‘A Propos de Nice’ and Dziga Vertov’s, ‘Man with a Movie Camera’. It explores the importance and creative treatment of diegetic sound as well as the use of real-time video and audio software to manipulate the filmic materials. It is a prototype of a planned longer version.

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As part of the University of Huddersfield’s GEMdays Festival of electronic and mixed media music, Geoffrey Cox had a Portrait concert on 27th January 2010. The works featured covered the last 10 years and comprised fixed media ‘tape’ pieces: ‘Foggy Road 2000′ and ‘I’m Not Elvis’; multimedia works made in collaboration with documentary filmmaker Keith Marley, ‘Introducing: wc lowry’, ‘Cider Makers’ and ‘a part of a greater whole: a film about Nice’, and the premiere of ‘No Escape’ (2009), a 25 minute piece for live pianist (Philip Thomas) and film.

Rambler Roundtable

Thursday, February 4th, 2010

The musicologist Tim Rutherford-Johnson (aka The Rambler) has recently chaired a fascinating online roundtable discussion in preparation for a concert of the ELISION Ensemble on Monday, 8 February, at Kings Place in London. The conversation includes four CeReNeM researchers — PhD student Timothy McCormack; CeReNeM Director Liza Lim; Daryl Buckley, Artistic Director of ELISION, who are Artists in Residence at CeReNeM during the 2009-10 academic year; and Benjamin Marks, trombonist for ELISION — alongside the composers Richard Barrett and Evan Johnson.

The conversation is in three parts (here, here, and here), and addresses issues of performance practice, notation, virtuosity, interpretation, collaboration, a range of performance techniques/approaches, ‘musical’ vs. ‘extra-musical’ material … and quite a lot more inbetween.  The conversation demonstrates/illustrates an interesting corner of CeReNeM’s research activities and its role in the wider discussions about issues of contemporary musical thought and practice.

Tamara Friebel, upcoming premieres in Vienna and Illinois

Sunday, January 31st, 2010

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from Tamara Friebel on Vimeo.

Tamara Friebel, PhD candidate in composition, presented her video-installation work Nausea, a reflection on Emmanuel Levinas’ De l’évasion (On Escape) in Vienna on October 17, 2009  at Echoraum as part of  ‘das kleine Symposium’ with SNIM (Performers: Gloria Damijan (Toypiano), Gobi Drab, Katharina Klement (prepared piano), Talvi Nurgamaa (viola d’amore), Tamara Friebel (film & electronics).

Upcoming premieres of her work in 2010 include:

A fragmented hyacinth stain: Sappho’s lament for recorder and live electronics, performed by Jeremias Schwarzer in the CeReNeM lunchtime series on February 4. Trill of the Human Bird, for sopranos, piano, percussion & electronics, at ISE New Music Ensemble concert, Illinois on March 16.  Stollen, a video piece with 2 flute players, toypiano and electronics, at Echoraum as part of the GRENZWERTig FREI series, Vienna on April 1.  Frescoed, an exploration into intuitive-responsive art made in collaboration with painter Veronika Mayer, for ‘live painting’, prepared piano & live electronics, at the Alte Schmiede, Vienna, in June 2010.

Composition PhD student with Ensemble Intercontemporain and Klangforum Wien

Thursday, January 21st, 2010

Einar Torfi Einarsson, PhD candidate in composition, was recently selected to participate in the Tremplin Commission Programme organised by Ensemble Intercontemporain and IRCAM Reading Panel. In December, an international jury selected six composers who are invited to the “second step” of the commission programme, a reading session with the ensemble where a 5-minute sketch for a sinfonietta is presented by the composers on 8-9 April 2010 in Paris. After this session and a discussion with the jury about the sketch, a final decision will be made about the commission (for the 2011-12 season). The jury may also suggest programming existing works by the composers, including an un-confirmed commission.

Last year Einar was one of five winners in the Impuls Composition Competition 2009, through which he has been commissioned to write a piece for Klangforum Wien. That piece, for an ensemble of 11 players, is now in development and will be premiered as part of the Impuls International Ensemble and Composers Academy for Contemporary Music in Graz, February 5th 2011, with several working sessions with Klangforum Wien both in Vienna and Graz .

Additional information about Einar’s work can be found on his website.

Lim’s The Navigator at Opéra National de Paris, Bastille

Thursday, December 31st, 2009

The Navigator (programme image)

Liza Lim’s opera The Navigator (2008) was performed in concert at the Opéra National de Paris Bastille on 8th December 2009 as part of Festival d’Automne à Paris.  It was the twelfth performance of the opera by ELISION conducted Manuel Nawri with the same cast of singers as for the original production.  Previous seasons of the opera, directed by Barrie Kosky, were presented in Brisbane, Melbourne and Moscow.

Here are comments by Tim Rutherford-Johnson in a review for Musical Criticism:

Review of The Navigator

(poster image)

Julie Wilson-Bokowiec awarded major Arts Council of England grant

Friday, December 18th, 2009

Julie Wilson-Bokowiec has been awarded a major ACE grant to write and produce THE LAST CUCKOO.

THE LAST CUCKOO will be directed by Bafta & Emmy nominated David Tucker who has created work for the RSC and a variety of regional theatres and is regularly at the helm of a number of the BBC’s flagship dramas.   The production will also feature a multi-channel sound score by Mark Bokowiec.

The Last Cuckoo is an intimate, poignant and often darkly comic tale of one man’s forty year journey through a period of ecological, social and political upheaval told through the changing circumstances of the everyday. Through stories, fragmented memories, catalogued facts, impressions and scrutinised details, we enter into the world of Ethan Page and experience his journey, his delights, his moments of whimsy, his despair and his heroism.

THE LAST CUCKOO is a long monologue for theatre that, on the surface, lays bare the changing circumstances of the ‘everyday’ brought about by climate change over a period of four decades. The drama explores the loss of meaning and culture through the loss of words and their reference points in nature and experience. The production uses a range of scientific projections for the next forty years of climate change to construct a circumstantial ‘road-map’ for the drama. Rather than presenting facts and figures and reiterate the received science of climate change, the play seeks to identify how such effects might impact upon everyday circumstances through a very intimate and non-scientific telling of one man’s journey.

THE LAST CUCKOO will open at the Lawrence Batley Theatre 21st October 2010 followed by a short national tour.

The production will form the centre-piece of a range of networked activities and opportunities for both students and the general public to engage directly with the artists and the production process.

PA Tremblay in concert: seven concerts, three countries, two premieres.

Tuesday, November 10th, 2009

Pierre Alexandre Tremblay will be performing the premiere of Sandbox#3, for bass+laptop, as part of the trendy London contemporary music evening Kämmer Klang @ café oto. On the same evening, he will also join the fantastic jazz quartet Outhouse, one of the dynamic ensembles of the Loop collective on processing. Finally, Sarah Nicolls will perform his piano piece un clou, son marteau, et le béton as part of that evening, on the 24th of November.

Sarah will also perform it the latter piece at SARC on the 12th of November, at HCMF on the 21st, in Surrey on the 23rd and live on BBC radio 3.

Tremblay will also perform in different settings in the next month: Amsterdam with Anne La Berge and Sam Pluta as part of the Karnatic Lab (13th October), Paris with David Fenech on the 12th of November as part of his RECORDING NOW residency, as part of the String Theory concert organised by Kasper Toepltiz on the 10th of December, and he will premiere his GRM commission on December 6th at Radio-France. Finally, he will perform in duet with Robin Fincker in Toulouse on the 12th of December.

Aaron Cassidy awarded AHRC Research Grant

Friday, November 6th, 2009

Aaron Cassidy has been awarded a Research Grant on the Practice-Led and Applied scheme of the Arts and Humanities Research Council.  The project seeks to develop a new form of musical notation for string instruments, extending and refining recent developments in multi-parametric notations, with the specific aim of generating a more singular, unified approach to multi-layered string tablature.  At the heart of the research is a new composition to be written for the JACK Quartet, commissioned by Südwestrundfunk for performance at the 2010 Donaueschinger Musiktage.