
Postgraduate Courses (MA by Research, MPhil, PhD)
The postgraduate degrees in new music at Huddersfield seek to foster exploration, experimentation, and musical creativity at the highest level. Our students come from a wide range of aesthetic backgrounds and practices, and this diversity is supported and encouraged by a staff with similarly broad creative and research interests. Subject areas cover all aspects of new music including composition, contemporary music performance, live electronics, interactive technologies, improvisation, contemporary musicology and analysis, and sound art.
Each of CeReNeM’s postgraduate programmes – MA by Research, MPhil, and PhD – are unique for their flexibility and support of collaborative and cross-disciplinary work. In addition to individual lessons, students are offered an extensive and diverse series of research seminars and workshops. Examples include: Deleuze and Bergson on time, repetition and memory; new music-theatre and opera; music of the last decade; extended techniques and computer-aided timbral analysis; ~jitter/open gl/shader coding; sound spatialisation and multi-channel diffusion theory and practice; composer-performer workshop; coding Max/MSP externals; analysis of cross-cultural composition; notation; and improvisation and open music.
These seminars and workshops are supplemented by the departmental Research Fora, a fortnightly lecture series of invited international scholars, and the CeReNeM/Composition Colloquium, which allows student composers and performers to present their work informally to peers and staff. The visiting artists of the CeReNeM Concert Series regularly perform student compositions and give lessons and workshops for student performers. All CeReNeM students have access to the excellent facilities and resources of the Music and Music Technology departments.
Students
Our recent and current post-graduate students are establishing themselves as significant emerging composers and performers with impressive burgeoning international careers, including:
- Performances at ISCM World Music Days, Darmstadt, hcmf, Musica Viva, Ostrava Music Days, the Seoul International Computer Music Festival, impuls, and numerous university music departments throughout the UK and abroad
- Compositions programmed by IRCAM, Klangforum Wien, duo Contour, BCMG, ELISION, Psappha, Smith Quartet, ASKO Ensemble, MusikFabrik, Quatuor Bozzini, and numerous soloists
- Support by the spnm short-list and the BMIC New Voices schemes
- winner of the Gaudeamus Composition Prize
- Recordings on the Durian, NaivSuper, and HoffArt labels
Courses/Degrees
All postgraduate degree programmes are comprised of individual lessons/tutorials, plus a range of available supporting seminars, workshops, and participation in the Research Forum and CeReNeM Colloquium. Each student’s programme of study will be tailored to their individual needs and interests, supervised by one or more members of academic staff. The research carried out by the academic staff was deemed to be of an exceptionally high quality in the 2008 Research Assessment Exercise, with 95% of research considered to be of international or world-leading standard.
MA by Research (New Music)
- 2 years, part-time
- Assessment by portfolio – content is flexible and will be determined through discussion with your academic tutor. (Unlike the MPhil/PhD degrees which focus on one specific area of study, the MA by Research allows students to investigate a number of complementary areas simultaneously.) Sample portfolio examples include: thesis or collection of shorter papers totalling 25,000 words; portfolio of compositions and accompanying thesis or shorter essays; live electronics performance and an accompanying thesis; recital of contemporary works (with or without electronics) and an accompanying thesis; or portfolio of patches, audio examples/compositions and accompanying thesis.
- Admission is available to graduates in music or music technology from universities and colleges or candidates who can demonstrate equivalent achievement
- Upon successful completion of the MA, students may apply directly to the PhD
MPhil
- 1 year full-time or 2 years part-time
- MPhil candidates generally progress directly to the PhD. The degree is primarily intended for advanced students (often already with a Masters-level qualification) in the initial stages of a major research project
- For terminal MPhil, assessment is by thesis or thesis combined with practice-based work (composition, performance, programming, etc.). Candidates continuing to PhD are evaluated through viva voce and written submission to demonstrate sufficient progress towards completion of PhD
PhD
- 2 years full-time or 4 years part-time
- Assessment by substantial thesis or practice-based work (composition, performance, programming) with supporting commentary and analysis, plus viva voce exam by internal and external examiners
PhD by Publication
- Maximum enrolment of 1 year; available in exceptional cases
Additional information about degree requirements and examination procedures is available at the Virtual Graduate Centre.
To Apply
To apply, please submit the research Degree Application Form. Applicants should also submit:
- At least three relevant samples of creative work (scores, recordings, videos, etc.)
- An example of a piece of written work on a musical topic
A number of departmental scholarships are available, ranging from £500 to full fee waivers. Stipends and paid teaching opportunities are available to PhD candidates on a competitive basis. MPhil and PhD applicants applying for fee waivers/scholarships should apply by February 1. Bursary application information for MA by Research applicants will be sent after the candidate has been admitted.
For further information please contact:
Dr Monty Adkins, Head of Research for Music and Music Technology
+44 (0)1484 472137
for applications relating to computer composition, installation art, acousmatic music, live electronics, sonic art, advanced Max/MSP programming, and interactive technologies
or
Dr Aaron Cassidy, Coordinator of MA by Research in New Music
+44 (0)1484 472011
for applications relating to composition, contemporary performance and improvisation, and contemporary musicology and analysis







