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Page No.	Note
1	No fingering in 4901.	View
1	No fingering in 4901.	View
1	2 consecutive Π markings here in 4901.	View
2	4901: p only.	View
2	Throughout this passage 4901 has dots on all separate 16th-notes. The pattern in this bar is bowed in 4901 with 2 slurred, 4 separate, and 2 slurred notes. Compare sonata op. 5 no. 2, second movement.	View
3	This is one of only a few cases where the fingering in 7984 is significantly different from 4901. Whereas in 4901 Grützmacher repeated the 3-2 fingering on the G#-E half-notes, here he varies the fingering, producing a much more prominent portamento on the repetition.	View
8	Not in 4901.	View
8	pp in 4901; p in every other edition.	View
8	4901: 4.	View
8	Not in 4901.	View
9	4901: V, because 4901 slurs the last 1/8 note to the return of the theme. 4901 marks this bar diminuendo, and the theme returns pp, not p.	View
9	A clear indication of portato bowing.	View