CHASE

Manuscript Annotations

Page No.	Note
1	David and Grützmacher both rewrite Bach original pattern here (notes 7 and 8 should read b-d). David's bowing pattern is different - Grützmacher uses a pattern of 3 slurred + 1 separate, with no other articulation marks.	View
1	David and Grützmacher agree on this crescendo to the forte in the next line.	View
1	Bach: d#-f#-d#-f#-a-f#-a-f#	View
1	Bach: A-c#-e-g-a-c#'-d'-c#'	View
1	David's bowing puts a Π on the A string, the normal bariolage pattern on the violin; Grützmacher also uses this bowing, where the normal bowing on the cello uses V.	View
2	Bach: g'-b-d-b-g'-b-g'-b.	View
2	Bach: a	View
4	Bach: g.	View
5	The 2 later MSS of the Bach suites, and the first printed edition (Janet et Cotelle, 1824) place an appoggiatura here, which David writes out in full.	View
5	The 2 later MSS, and the janet et Ctelle edition, give a quaver appoggiatura. David wrties this out in full, The notes are almost certainly misprinted here one note too high - Bach = a-g.	View
5	This appoggiatura, and the parallel instance two bars later, is given in the 2 later MSS and the Janet et Cotelle edition.	View
5	This syncopation and all similar cases in this movement, which occur for the first time only in the Janet et Cotelle edition, recur in many editions of the cello suites into the 20th century, as well as in transcriptions such as Raff's for solo piano.	View
6	Bach: e-g (Anna Magdalena MS); f-g (Kellner MS).	View
7	Bach: d. This is possibly a misprint.	View
7	Every surviving cello source here gives a series of chords, which are to be realised as arpeggios. Grützmacher's version is more elaborate.	View
8	Bach: chord (from foot) c# g a.	View
9	Bach: c# + trill only, no chord.	View
9	The 2 later MSS and the Janet et Cotelle edition give this chord (+ trill).	View
9	Bach: single dotted, not double.	View
9	This reading is very similar to the Janet et Cotelle edition and the Westphal MS, with a trill on the lower note of the chord.	View
9	David's rhythm here corresponds to every surviving source except the Anna Magdalena MS.	View
9	Dots are rare in David's edition.	View
10	the trill corresponds to the 2 later MSS adn the Janet et Cotelle edition; David writes out its Nachschlag.	View
10	Bach: this note is held for the whole bar.	View
10	Bach: this note is held for the whole bar.	View
10	Bach: Anna Magdalena MS = d'-b; all other sources as David.	View
12	Bach: 2 lower notes = minims.	View
15	As Janet et Cotelle; David realises the appoggiatura in full.	View
15	Unique to David.	View
15	Bach: Bourrée. The marking 'Loure' is unique to the Janet et Cotelle edition.	View
16	Appoggiatura in the 2 later MSS and the Janet et Cotelle edition, written out by David.	View
18	Dots here, contrasting with wedges elsewhere - used in p	View
18	Common time in the later 2 MSS and the Janet et Cotelle edition; earlier MSS alla breve.	View
19	Follows the janet et Cotelle edition; all other ssources = c.	View
19	Trill as in the later 2 MSS adn the Janet et Cotelle edition; written-out Nachschlag by David.	View