CHASE

Manuscript Annotations

Page No.	Note
1	The intended bowstroke here is unclear. The normal place to play such a passage in the late 18th- and early 19th-century would have been about three quarters of the way towards the point of the bow, with an on-string short staccato for the two up-bows. At the recapitulation on p. 2, however, David's long up-bow just before the return of the opening figure suggests performance near the heel. Elsewhere,though, his bowing suggests performance of similar figures in the upper half of the bow. This is strongly suggested by the passage beginning at the end of the third stave on this page, where David's bowing instructions constantly lead the bow towards the point.	View
1	Not in 4899b.	View
1	Not in 4899b.	View
1	Not in 4899.	View
1	This slur and those in the next two bars not in 4899b.	View
1	Slur here and in the next bar not in 4899b.	View
1	Slurs here and two bars later not in 4899.	View
1	Not in 4899.	View
1	Slurs here and in the next bar Not in 4899.	View
1	Slur here and in the next bar not in 4899b.	View
1	Bowing signs not in 4899b.	View
1	Not in 4899b.	View
1	Not in 4899b.	View
1	Not in 4899b.	View
1	Not in 4899b.	View
1	Not in 4899b.	View
1	Not in 4899.	View
1	Not in 4899b.	View
1	Not in 4899b.	View
1	Not in 4899b.	View
1	Not in 4899b.	View
1	Here and in the other similar figures on this stave not in 4899b.	View
1	Not in 4899b.	View
1	Not in 4899b.	View
2	This bowing strongly indicates that David intended the figure that opens the movement to be played at the heel of the bow.	View
2	Not in 4899b.	View
2	Not in 4899.	View
2	Not in 4899.	View
2	Not in 4899.	View
2	Not in 4899.	View
2	Not in 4899.	View
2	Not in 4899.	View
2	Not in 4899.	View
2	Not in 4899.	View
2	Not in 4899.	View
2	Not in 4899.	View
2	Not in 4899.	View
2	Bowing signs not in 4899.	View
2	Not in 4899.	View
2	Not in 4899.	View
2	Not in 4899.	View
2	Not in 4899.	View
2	Not in 4899b.	View
2	Not in 4899.	View
3	In both these bars in In 4899b there is a 1 on the d and no fingering on the e.	View
3	In 4899 this is fingered with a 2. Perhaps a 2 on the preceding c was intended with an extended 4th finger on f in the next bar, but the engraver forgot to include it.	View
3	In 4899b 2 is marked here with 2 again, in 3rd position, on the e two bars later. The present fingering indicates either that the whole passage remains in 3rd position (which seems a little unlikely) or that a fingering was accidentally omitted here.	View
3	The staccato mark and tr are missing in 4899a.	View
3	A 3rd finger is marked here in 4899b.	View
3	A 2nd finger is marked here in 4899b.	View
3	Not in 4899b.	View
4	Bowing signs not in 4899b.	View
4	A 3rd finger is marked here in 4899b.	View
4	Not in 4899.	View
4	No slur here or in the next two bars in 4899b.	View
4	Not in 4899.	View
4	Not in 4899.	View
4	Not in 4899b.	View
4	Not in 4899b.	View
4	A 3rd finger marked here in 4899.	View
4	A 1st finger marked here in 4899b.	View
4	Not in 4899 here or in the next two bars.	View
4	Not in 4899.	View
4	Not in 4899b.	View
4	Not in 4899.	View
4	Not in 4899b.	View
4	Not in 4899.	View
4	2 here in 4899b.	View
4	2 here in 4899b.	View
4	4 here in 4899.	View
4	2 in 4899b.	View
4	2 in 4899b.	View
4	2 in 4899b.	View
5	Not in 4899b.	View
5	Not in 4899b.	View
5	Not in 4899b.	View
5	3 in 4899b.	View
5	Not in 4899b.	View
5	Not in 4899b.	View
5	Not in 4899b.	View
5	No upper slur here or on the next five occurences of the figure.	View
5	Not in 4899b.	View
5	No upper slur here or in the next bar in 4899b.	View
5	Not in 4899b.	View
5	Not in 4899b.	View
5	Not in 4899b.	View
5	Not in 4899b.	View
5	Not in 4899b.	View
5	Fingering not in 4899b.	View
5	Not in 4899b.	View
5	Not in 4899b.	View