CHASE

Page No.	Note
2	animato	View
3	This is a typical instance of David employing successive 4th fingers to enable expressive portamento.	View
3	Here David produces portamento with successive 2nd fingers.	View
3	He evidently expected the a''' to be played as a harmonic on the A string.	View
3	A corrective natural sign.	View
3	These are the signs for a sharp attack with the point of the bow, described in his Violinschule.	View
6	He changed his mind about playing the whole passage on the G string, beginning on the D string and going to the G string with the harmonic in the 2nd bar.	View
6	These signs evidently indicate vibrato. The wavy line over 6 notes is unusual and presumably indicates vibrato on all the longer notes; it is undoubtedly significant that it ends before the 'weaker' f#' with which the phrase nends.	View
6	Here again vibrato on each of the longer notes seems to be implied.	View
6	This and the following lines also indicate that vibrato is confined to the stronger appoggiatura.	View
7	Here David evidently intended that these notes should be three separately bowed e'''s.	View
7	The purpose of this NB is unclear.	View
9	This was evidently written before the pieces were bound into a single volume, since it has been cropped during binding. It is evidently meant to replace the figurations on the 5th stave down.	View