CHASE

Page No.	Note
3	Typically, Molique shortens the bass notes, demonstrating his concern that the violinist should concentrate on the melodic lines.	View
3	The broad, four-bows-to-a-bar style continues, indeed, is applied fairly consistently throughout the movement.	View
3	Molique changes Bach's G natural, so destroying the downward melodic progression - A G F E. The piano accompaniment covers up the awkward progression to the third beat. By including this G sharp in the slur (separate in the original, and adding slurs to the third beat, he suggests a smooth, broad style, with long bows.	View
3	The '3' is not a fingering, but a triplet; the original has a 32nd and two 64ths.	View
3	Though Molique doesn't suggest many portamento fingering in his Bach editions, these fourth fingers show he didn't rule out slides in this repertoire.	View
3	Another instance of Molique making the rhythm smoother by introducing a triplet.	View
3	A rare example of an expressive portamento.	View