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Manuscript Annotations
Page No. | Note | |
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2 | Umwender (page turner) |
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2 | Sp Spitze (point of the bow), probably in Paul David's hand. |
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2 | Probably Paul David's pencil markings. |
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2 | '3 fort': David's marginal instruction to remove the 3 on the first d'' on this stave. |
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3 | David seems to indicate double stops on the third note of each triplet. |
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4 | This is probably Paul David's fingering. |
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4 | Spgd Springend (springing). Although this is in lead pencil, it is certainly in F. David's hand. |
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4 | This mark, included in David's 1864 Violinschule ii, 37 is described as meaning 'mit der Spitze des Bogens aufschlagen/ to hit with the point of the bow'. This stroke is described by Spohr in his 1833 Violinschule as fouetté. |
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5 | Not F. David's fingering; probably, along with most of the lead pencil markings in this piece, his son Paul's. |
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5 | These marks apparently indicate vibrato. They are, as far as I know, the only instance, apart from those in his 1864 Violinschule, where they are printed in any of David's compositions or editions. |
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5 | Here David has replaced a printed 1 with 2. |
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6 | The marginal line and the instruction '2 fort' (the 2 has been cut off on the scan) refer to the line and deletion of the fingering on a in the second bar of the stave, presumably because it is self evident. |
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7 | Pencil alterations have been erased here and in the next three staves. |
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7 | 'Simile' and a series of continuation lines over the next two staves have been erased here. |
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7 | Probably Paul David's writing |
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7 | The additional pencil f appears to be Ferdinand David's. |
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7 | David has changed a 1 (reinforcing the printed marking) to a 2 here. This seems to be one of only two places in this piece where his blue crayon fingering does not merely repeat a printed fingering (where there is one). His habit of duplicating printed fingerings may be related to deteriorating eyesight in his later years. |
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