CHASE

Page No.	Note
2	This fingering is clearly intended to elicit portamento. It involves using the 2nd finger twice, for the e'' and the f#'.	View
2	The use of a straight line to indicate two separated notes played in the same bowstroke is typical of this violinist.	View
2	The shift to a 3rd finger harmonic on d'' is evidently intended to produce a particular kind of portamento.	View
3	Like Ferdinand David, this violinist employs harmonics and open strings throughout this passage.	View
6	Ferdinand David also used a harmonic here.	View
7	The fingering here and in the next 2 bars evidently involves playing the whole passage on the E string in first position except for the e''' harmonic.	View
7	The slurred staccato of the original edition has been removed here and on the next stave.	View
7	The slurred staccato of the original edition has been removed here.	View
8	Ferdinand David (FD II) also has a portamento with the 3rd finger here.	View
8	Vl 2 has an f' natural printed here. In Ferdinand David's heavily marked copy (FD II) he has corrected the Vl 1 part to f'' natural. Rietz's Gesamtausgabe of Mendelssohn's works and later scores and parts, however, change Vl 2 to f' sharp.	View
8	Ferdinand David (FD II) also has a portamento with the 4th finger here.	View
10	This bowing is also used by Ferdinand David.	View