CHASE

Page No.	Note
5	This fingering doesn't appear in David	View
5	Fingering (and expressivo marking) taken over from David (1843).	View
5	The harmonic, not suggested by David, keeps the phrase on the D string, and adds another upward portamento in addition to that from E to G which does come from the earlier editon.	View
5	The main reason for Hellmesberger's first finger is to add an expressive portamento.	View
5	These fingerings taken over from David.	View
5	The 2nd finger B flat suggests a slide. On the second beat, Bach writes a four-part chord, necessitating a trill on the open E string. Hellmesberger's solution means the G and B flat of the arpeggiation are both taken on the D string. Note. too, the move to 4th position, to make the last chord more comfortable and involving a slide from E to F.	View
5	Bowing taken from David, but dynamics changed.	View
5	Added slur, to help bring the bow back towards the nut.	View
5	Dynamics taken over from David	View
5	Slurs added at beginning and end of the bar, so that the string crossing can easily be accomplished using the wrist.	View