University of Leeds

CHASE

CHASE

Manuscript Annotations

Page No. Note
2

David and Grützmacher both rewrite Bach's original pattern here (notes 7 and 8 should read b-d). David's bowing is different - 2 slurred + 2 separate.

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2

David and Grützmacher agree on this crescendo to the forte in the next line.

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2

Bach: d-f#-e-d

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2

Bach: a-f#-a-f#

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2

Bach: as notes 5-8.

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2

Added chord.

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2

Added d.

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2

Added d.

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2

Added d.

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2

Grützmacher bows this bariolage section with a &#x03A0 on the D string, contrary to the normal recommendation.

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2

Bach: g'-b-d-b-g'-b-g'-b.

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7

Grützmacher frequently adds an open string in this manner - sometimes as a sustained drone.

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7

Every surviving cello source here gives a series of chords, which are to be realised as arpeggios. David's solution is simpler.

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