CHASE
CHASE
W. A. Mozart: Violin and Viola Duos — the 'Uppingham' collection - Part F
TITLE PAGE, Abstract, Acknowledgements, Citation
Part A: INTRODUCTION (David Milsom & Clive Brown)
Part B: FERDINAND DAVID’S EDITION IN HISTORICAL CONTEXT (David Milsom)
Part C: PERFORMING FERDINAND DAVID’S REALISATION OF THE MOZART VIOLIN & VIOLA DUOS (David Milsom & Clive Brown)
Part D: EXPERIMENTAL RECORDINGS (Clive Brown – violin; David Milsom – viola)
Part E: CONCLUSIONS (David Milsom)
Part F: LIST OF REFERENCES
________________________________________________________________
Part F: LIST OF REFERENCES
Articles/Books
[Articles on the CHASE website have hyperlinks to them within the article text]
Allgemeine musikalische Zeitung, 7 (1804-5).
Bériot, C. de (1858) Méthode de Violon (Paris, Mayence).
Bowen, J. (1996) ‘Performance practice versus performance analysis: why should performers study performance?’ Performance Practice Review, 9 (1)
Brown, C. (1999) Classical and Romantic Performing Practice 1750-1900 (Oxford, Oxford University Press).
Brown, C. (2003) ‘Joachim’s Violin Playing’ in Musgrave, M. & Sherman, B (eds.), Performing Brahms: Early Evidence of Performance Style (Cambridge, Cambridge University Press), 49.
Brown, C. (2008a) ‘Performing Classical Repertoire: The Unbridgeable Gulf between Contemporary Practice and Historical Reality’, Basler Jahrbuch für Historische Musikpraxis XXX 2006 (Winterthur, Amadeus Verlag).
Brown, C. (2008b) ‘The Performance of Mendelssohn’s Chamber and Solo Music for Violin’, in S. Reichwald (ed.), Mendelssohn in Performance (Bloomington & Indianapolis, Indiana University Press).
Brown, C. (2009) ‘Singing and string playing in comparison: instructions for the technical and artistic employment of portamento and vibrato in Charles de Bériot’s Méthode de violon’ in C. Bacciagaluppi, R. Brotbeck & A. Gerhard (eds.), Zwischen schöpferischer Individualität und künstlerischer Selbstverleugnung (Schliengen, Argus).
Brown, C. (2010a) ‘Leopold Mozart’s Violinschule and the performance of W. A. Mozart’s violin music’ in T. Steiner (ed.), Cordes et claviers au temps de Mozart / Strings and Keyboard in the Age of Mozart (Lausanne, Peter Lang).
Brown, C. (2010b) ‘Performing 19th-century chamber music: the yawning chasm between contemporary practice and historical evidence’, Early Music, (August 2010).
Brown, C. (2012) ‘Reading between the Lines: the Notation and Performance of Mozart’s Chamber Music with Keyboard’ in M. Harlow (ed.), Mozart’s Chamber Music with Keyboard (Cambridge University Press).
Brown, C. & Milsom, D. (2006) ‘The 19th-Century Legacy of the Viotti School: Editions of the Violin Concerto No. 22’ in M. Sala (ed.), Giovanni Battista Viotti – A Composer Between the Two Revolutions (Bologna, Ut Orpheus Edizioni).
David, F. (1863) Violinschule (Leipzig, Breitkopf und Härtel).
Eckardt, J. (1888) Ferdinand David und die Familie Mendelssohn-Bartholdy (Leipzig, Duncker und Humblot).
Flesch, C. (1923/1930) The Art of Violin Playing (English text F. Martens, Vol 1, New York, Carl Fischer, 1923; Vol. 2 New York, Fisher, 1930).
Joachim, J. & Moser, A. (1902-5) Violinschule (Berlin, Simrock).
La Mara (pseud.) (1878) Musikalische Studienköpfe. Vol. 3: Jüngstvergangenheit und Gegenwart (Leipzig, Heinrich Schmidt und Carl Günther).
Leech-Wilkinson, D. (2010) ‘Listening & Responding to the Evidence of Early 20th-Century Performance’, Journal of the Royal Musical Association (London, Routledge), 135.
Malibran, A. (1860) Louis Spohr (Frankfort-am-Main).
Milsom, D. (2003) Theory and Practice in Late Nineteenth-Century Violin Performance 1850-1900 (Aldershot, Ashgate).
Milsom, D. (2008) ‘Mendelssohn and the Orchestra’, in S. Reichwald (ed.), Mendelssohn in Performance (Bloomington & Indianapolis, Indiana University Press).
Milsom, D. (2012) ‘Practice and Principle: Perspectives upon the German ‘Classical’ School of Violin Playing in the Late Nineteenth Century’, Nineteenth Century Music Review, 9 (01) (Cambridge, Cambridge University Press).
Peres Da Costa, N. (2012) Off the Record: Performing Practices in Romantic Piano Music (New York, Oxford University Press).
Schnirlin, O. (1921) Der Neue Weg zur Beherrschung der gesamten Violinliteratur (3 vols., New York, Carl Fischer).
Schröder, H. (1887) Die Kunst des Violinspiels (Köln, Tonger).
Spohr, L. (1843a) Louis Spohr’s Celebrated Violin School; English translation by John Bishop (London, Robert Cocks & Company).
Spohr, L. (1843b) Louis Spohr’s Grand Violin School, trans. C. Rudolphus (London, Edwin Ashdown).
Spohr, L. (1833) Violinschule (Vienna, Haslinger, 1833).
Recordings
Joachim, J: Complete 1903 Recordings (Gramophone & Typewriter) reissued on Symposium 1071.
Klingler Quartett: W. A. Mozart, String Quartet No.15 in D minor K.421 (3rd mvt); 1912; Odeon 76278 : xxB 5551; reissued on Testament 2136.
Reinecke, C. (c.1905-7) Reinecke Ballade Op. 20 (Hupfeld 50349) & Field Nocturne no. 4 (Hupfeld 51813); (viewable on Youtube).
Soldat, M. (1920s) Complete c.1920-1925 Recordings (Union A) reissued on MB1019.
Scores
[Scores and editions on the CHASE website have hyperlinks to them within the article text]
Bach, J. S. / ed. David, F. (1843) Sechs Sonaten für Violine allein von Joh. Sebastian Bach, (Leipzig, Kistner, plate no. 1385).
Beethoven, L. van / ed. Brown, C. (2012) L. van Beethoven Konzert für Violine und Orchester Op. 61 (Breitkopf und Härtel, Leipzig, EB8656).
Brahms, J. / Joachim, J. / ed. Schnirlin, O. (1932) Hungarian Dances, 2 vols (Leipzig, Simrock, plate no. 7161).
Brahms, J. / ed. Schnirlin, O. (1926) Sonata No. 1 in G Major, op. 78 (Berlin, Simrock, plate no. 14836).
Mozart, W. A. / ed. David, F. (1866) Violin Sonata in B-flat Major, K. 454 (Leipzig, Breitkopf und Härtel, plate no. 11279)
Mozart, W. A. (1955-1991) Neue Ausgabe sämlicher Werke (Kassel, Bärenreiter-Verlag)
Mozart, W. A. / ed. Drüner, U. (1980) Mozart, W. A. Zwei Duos für Violine und Viola (Amadeus Verlag, Bernhard Paüler, Winterthur/Schweiz, BP2650).
External Websites
Milsom,
D. (2009) String Chamber Music of the
Classical German School 1840-1900: A Scholarly Investigation through
Reconstructive Performance, http://www.pvac.leeds.ac.uk/
________________________________________________________________